Rudolph the Red-Nosed Reindeer: the Canada angle

Rankin Bass Rudolph


The classic Rankin-Bass stop-motion animated Christmas film, Rudolph the Red-Nosed Reindeer debuted in 1964. It is typically associated with the United States, but every character (except one) was voiced by a Canadian. Let’s learn more about the Canadians who brought this movie to life!

When work began on the movie, Rankin and Bass decided to use Canadian voice actors for every character except Sam the Snowman, who was voiced by Burl Ives. One reason for this was the lower labour costs in Canada for voice actors.


Another major reason was that the United States had stopped making radio dramas for the most part. In Canada, they were still made for the CBC and this gave Canada a much larger talent pool for voice actors than was available in the United States at the time.


Rudolph was voiced by Billie Mae Richards. She had worked on CBC’s Jake and the Kid and later voiced Tenderheart Bear on Care Bears. She was credited as Billy Richards as producers did not want people to know a woman did the voice. Richards voiced Rudolph until 1979.


Larry Mann voiced Yukon Cornelius. He had appeared in many CBC productions prior to getting the role in Rudolph. Through the 1980s, he was known to Canadians as The Boss in Bell Canada TV commercials.


Paul Soles was the voice of Hermey. He was well known to Canadians as the voice of Peter Parker Spider-Man on the 1960s animated series. He also hosted Take 30 for 18 seasons, was a veteran of the Stratford Festival and won a Gemini Award in 2006.


Bernard Cowan played Clarice’s Father. He also worked as an announcer on Front Page Challenge, The Pierre Berton Show and Wayne and Shuster. His voice work included Rocket Robin Hood and the animated Spider-Man 1960s show. His cousin was Paul Soles.


Alfie Scopp played various Male Elves, Fireball and Charlie-in-the-Box. He had worked on various NFB productions, The Wayne and Shuster Hour, The Littlest Hobo, Street Legal, and The Edison Twins. He died at the age of 101.


Paul Kligman played Donner and Coach Comet. He often worked on CBC, including with Wayne and Shuster, and also voiced J. Jonah Jameson on the 1960s animated Spider-Man show and Friar Tuck on Rocket Robin Hood.


Carl Banas played the Head Elf and various Misfit Toys. He later acted as Byron James on Wojeck, and was a radio personality on CKFM-FM and MIX 99.9. He was also Titanor on Rocket Robin Hood, Schaeffer in The Raccoons and Old Tusk in Babar.


Finally, Stan Francis played Santa Claus and King Moonracer, while Peg Dixon was Mama Claus and various female elves. She voiced Mary Jane Watson on the 1960s animated Spiderman TV show, and also played Mrs. Morrison on the 1956 TV movie Anne of Green Gables.

I hope you enjoyed that look at the Canadian voice actors on Rudolph The Red-Nosed Reindeer, sourced by Canadian History researcher and storyteller, Craig Baird.

Art vs Artist 2023

My #ArtVsArtist2023: It was a turbulent year on the employment front, so I wasn’t able to do as much drawing and comics as I would have liked, but things stabilized as the year went on and I ended up with some momentum, including appearing on my first podcast/interview to discuss my work (the photo of me is just before going live!). A special thanks to Planet Joey Patreon supporters as well!

See ya later 2023, bring on 2024! 🥂

— Dave

Art vs. Artist Is a hashtag challenge which started as a test to see if the artwork reflects the identity of its creator, as many assume. Artists began posting using the hashtag along with a selfie surrounded by eight of their selected art pieces. I look at it as a cool way to take stock of a year’s worth of art.

B.C.: A Special Christmas

Johnny Hart’s “B.C.” was one of my favourite comic strips growing up in the 1970s-80s. I loved everything about it: the various cast of cavemen (and women), the non-human cast (dinosaurs, ants, snakes, turtles, wingless birds), the prehistoric landscapes (rolling mountains, volcanoes and the vast ocean) and how his clever humour and physical comedy came to life in the “world” he created.

I remember flipping around the dial in December of 1982(?) and stumbling upon “A Special Christmas,” the B.C. animated Christmas special. It was a big deal — comic strips from the newspaper were rarely put into animation and I instantly was overwhelmed at seeing everything I loved about the comic come to life on TV.

“A Special Christmas” has kind of been lost to history — that was the one and only time I ever watched it, until I began searching for it again on the interwebs a few years ago. Admittedly, the story is a bit weak: it’s a zany story of the two unscrupulous cavemen — Peter and Wiley — who think up a great scheme: create a legend about giving and then sell gifts so everyone can give their neighbours a present on Dec. 26th. But, to their great surprise they find that their myth has become a reality; a day earlier. It’s a loose premise, but if you’re a fan of comic strips — specifically “B.C.” — you won’t want to miss it. Visually, it’s a treat and I also thought they did a nice job applying voices to the various characters in the “B.C.” universe. Merry Christmas!

What Christmas is all about

In “Peanuts,” Linus quoted from the Gospel of Luke on December 20, 1959. His dialogue in that strip was later used in “A Charlie Brown Christmas” in a scene that Charles Schulz had to fight to include, and it became one of the special’s indelible moments.

Did you ever notice that Linus drops his security blanket while sharing “what Christmas is all about?” Even more curious is the point in the speech that he does so. Just as he utters the words “Fear not” from Luke 2:10 ~ “And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people.” I believe this was a deliberate point that Charles Schultz was making, to drop those things of the world we cling to and embrace the good news!

Watch for it at about the :39 second mark. Powerful. A great moment in TV and comics.

David Brown on Get in Toon with Michael Grassia

Planet Joey creator David Brown will be appearing on Michael Grassia’s GET IN TOON livestream podcast this Wednesday night (November 29, 2023) at 9pm Eastern to talk about Planet Joey! Why don’t you tune/toon in!

Below are links to the livestream on Facebook and YouTube and we will update this post later with a link to watch the archive recording.

Facebook: https://www.facebook.com/events/717394170304114

YouTube: https://www.youtube.com/watch?v=APmwKnvFov4

Support Planet Joey

There are many ways you can support Planet Joey. Whether you are simply sharing Planet Joey content or ‘liking’ it on social media or joining our community on Patreon, your support is appreciated and makes you an official and valued patron of the comic arts. As a collective, you are directly funding the comic strip, allowing for more time to be reserved to make comics.

Buy Herb a coffee!
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Purchase commissioned art!
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Bubble Fox Guest Comic 2022

A Planet Joey guest comic for Jon Esparza's Bubble Fox.

I was honoured to be asked again to create a Bubble Fox guest strip for San Diego-based cartoonist Jon Esparza, who runs guest comics by selected artists every September while he takes a well-deserved break. This one is more of a Planet Joey comic with a guest appearance by Bubble Fox to be honest, but the important thing to remember is: always make sure you’re in the right state of mind before reading comics, kids!

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Bubble Fox Guest Comic

I was honoured to be asked to create a Bubble Fox guest strip for the amazing San Diego-based cartoonist Jon Esparza.

It’s short and sweet, but the idea started with wanting to do the strip in black and white as an homage to how Bubble Fox appears online. From there, I had to incorporate helium somehow to turn someone or something into a balloon in the surreal world of Bubble Fox. And lattes aren’t on the beverage menu high above the ground… 

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Congrats, Lollipop!

Adventures of Lollipop 20th Anniversary

This special comic is dedicated to Jennifer Cuthbert’s The Adventures of Lollipop, celebrating it’s 20th anniversary this month! Lollipop and her gang have visited almost every corner of the globe, so I took a moment to imagine Lollipop’s gang visiting Cold Springs… with Joey and Herb standing by to deliver the hard truth. Congratulations on twenty years of adventures, Lollipop – here’s to twenty more!

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It’s Great Pumpkin Time!

It’s that time of the year again – Halloween night, when The Great Pumpkin rises from the pumpkin patch on Halloween evening, and flies around bringing toys to sincere and believing children.

Consistent with how things seem to be in 2020, Halloween also occurs on the same night as a full moon, a blue moon and on the night we roll back the clocks an hour to standard time (where I live). Bring it on, I say!

What is your favourite thing about Charles Schulz’ animated fall classic? Is it Charlie Brown’s classic line “I got a rock?” Maybe it’s Snoopy’s showdown with the Red Baron and his journey through the French countryside? Is it Linus and Sally waiting in the pumpkin patch for The Great Pumpkin to arrive? Personally, mine is the touching moment where Linus’ big sister Lucy carries her shivering, sleeping brother from the disappointment and cold of the pumpkin patch, back to his warm bed. Honourable mention goes to the painted backgrounds in this animated production – check out those dark, autumn night time watercolour skies!

Happy Halloween, y’all! Have fun, be safe and here’s hoping you find what you’re looking for in your pumpkin patch!

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Mondays, Thursdays and Sundays just got better!

Now that Planet Joey has gone live, you might be wondering when you can look forward to the next exciting instalment going forward. Here’s what we’re starting with in terms of a schedule:

New Planet Joey comic strips will be posted twice weekly on Monday and Thursday mornings. Every third Sunday morning (ie. every seventh strip), a larger format comic – in the vein of the weekend colour comics – will be posted.

New comic strips will also appear at the same time on the various social media platforms: Facebook, Twitter, Instagram and Ko-fi and always one day earlier for Patreon subscribers.

To kick things off, we’re running a series of six ‘promotional’ strips featuring our heroes and villains already locked in conflict and afterwards, we’ll go back to the beginning and catch up to Joey and his family en route to Cold Springs, Manitoba.

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We have lift off!

David Brown, creator of Planet Joey.

Today – after almost two decades of sketching, designing, writing, drawing, re-drawing and dreaming about creating my very own comic strip – I’m thrilled and proud to announce that Planet Joey is being officially released out into the public domain.

As a child growing up in a small town in southwestern Ontario in the 1970s and 1980s, I couldn’t wait for Saturday mornings. I’d hop out of bed and fly down the stairs into our living room where my parents would be consuming their morning coffee/tea and reading the London Free Press. I would hurriedly dig through the remaining sections lying on the floor, searching for the colour comics and proceed to stain my fingers with newsprint ink diving into the classic strips like PeanutsShoeBCBroom HildaCalvin & Hobbes, Garfield, Hägar the Horrible, Robotman, Dennis the Menace, For Better or for Worse and yes, there was even a serialized Star Wars comic during some of those years! At the time, I was also influenced by comic books like Pink Panther and Bullwinkle and Rocky, not to mention my growing collection of Tintin books. As an artistic kid, I dreamed of one day creating a comic strip that might appear in a printed collection or a newspaper. It would take many years to see that dream come to fruition, but here we are – even if newsprint isn’t involved (yet).

Planet Joey started as an idea in my head sometime in the late 1990s while I was working as a graphic designer and also teaching at Sheridan College in the Art Fundamentals & Illustration programs. Some character designs and ideas for storylines and gags made it into sketchbooks and the basic comic strip emerged in 2003 shortly after my son was born. Since then, I’ve worked on it in fits and starts, filling sketchbooks with drawings and notes, but never having the sustained focus to see it through. Until now.

Charles Schulz said “The only way a comic strip distinguishes itself from all other media is to intrinsically combine words and pictures into a wholly new and elevated sum. Without the intertwining pictures, it’s just radio. Without the words, it’s just pantomime.” Schulz redefined the comic strip in the 1950s and 1960s. Many since have imitated it, some have emulated it. In a way, we’re all drawing Peanuts. Michael Jantze – creator of The Norm – said “The modern comic strip is like a poem: short, repetitive and, yeah, no one reads it.” He wasn’t wrong, but in some ways, comic strips have a certain new relevance in the year 2020. In a time when there is so much content out there for consumption and attention spans are short, a comic strip has the ability to connect – to tell a story, make you smile or just to make you stop and think – for a few seconds. My hope for Planet Joey is that it settles into its own comfort zone somewhere between the classic gag-a-day strips and a graphic novel. Something like… an ‘epic’ poem, perhaps?

What I’m getting at here is that being finally able to share this comic strip with you is a pretty special thing for me. I hope you enjoy the characters and the stories they have to tell. I hope you appreciate the art. I hope the comics put a smile on your face or at the very least, transport you away from your busy world, to Joey’s home of Cold Springs at least for a minute or two every day and back again.

Happy reading, everyone!

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